Confusion of Tongues: Art and The Limits of Language, 16th June-17th July 2016 Courtauld Gallery
MA Curating the Art Museum exhibition
“In Utopia (1516), Thomas More imagines an apparently perfect island society in which citizens share a common language and way of life. It is a text riddled with ambiguities, paradoxes and verbal games: ‘utopia’ itself translates as both ‘no-place’ and ‘good-place’. The book has repeatedly frustrated readers’ attempts to decipher its message. Confusion of Tongues: Art and the Limits of Language brings into dialogue artists who – in ways similar to More – explore the power of language to complicate and withhold meaning. As viewers, we are invited to imagine through and beyond the spoken and written word, to think and re-think, to look and look again. This exhibition is a response to UTOPIA 2016: A Year of Imagination and Possibility, a year-long programme of events and exhibitions at Somerset House celebrating the 500th anniversary of the publication of Thomas More’s Utopia.”

“Artifical Realities”, East Wing Biennial 2016, January 2016-ongoing, Courtauld Institute
“Artificial Realities is an exhibition of contemporary artworks that address the realm of uncertainty which exists between reality and falsehood. It assembles works into thematic microcosms, themselves dispatched into different rooms as well as transitional spaces. Each space is inhabited by a selection of works specifically chosen to disorient the understanding of established truths and expand the notion of reality into a zone of indetermination. With photographs depicting colourful foam explosions in nebulous – yet real – natural environments (Filippo Minelli), repetitious excavations marking their perennial presence over the Courtauld walls (Alan Chandler), doors leading to nowhere (Yonatan Vinitsky) and papier-mâché suspensions performing as the fisheye perception of a fabricated city (Marco Maggi) among fifty other works, Artificial Realities takes on the challenge of representing what is both familiar and unfamiliar, often materialising the poetry which exists between these two mental spaces.”